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The Lady Elizabeth
A Novel
by 
Alison Weir
Rosalyn Landor
  
Publisher: Books on Tape
Subject(s):  Fiction
Historical Fiction
Language(s):  English

Format Information

OverDrive WMA Audiobook Place a Hold
Available copies:   0 (0 patron(s) on waiting list)
Library copies:   1
File size:   291848 KB
ISBN:   9780739368510
Release date:   May 13, 2008

Description

Following the tremendous success of her first novel, INNOCENT TRAITOR, acclaimed historian and New York Times bestselling author Alison Weir turns her masterly storytelling skills to the early life of young Elizabeth Tudor, who would grow up to become England’s most intriguing and powerful queen.

Before she is three, Elizabeth learns of the tragic fate that has befallen her mother, the enigmatic and seductive Anne Boleyn, and that she herself has been declared illegitimate, an injustice that will haunt her all her life. What comes next is a succession of stepmothers, bringing with them glimpses of love, fleeting security, tempestuous conflict, and tragedy. The death of her father puts the teenage Elizabeth in greater peril, leaving her at the mercy of ambitious and unscrupulous men. Like her mother two decades earlier, she is imprisoned in the Tower of London–and fears she will also meet her mother’s grisly end. Power-driven politics, private scandal and public gossip, a disputed succession, and the grievous example of her sister, "Bloody" Queen Mary, all cement Elizabeth’s resolve in matters of statecraft and love, and set the stage for her transformation into the iconic Virgin Queen.

Sweeping in scope, THE LADY ELIZABETH is a fascinating portrayal of a woman far ahead of her time–whose dangerous and dramatic path to the throne shapes her future greatness.

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Excerpts

From the book

...

CHAPTER 1

1536

On a hot, still morning in July, the Lady Mary, daughter to King Henry the Eighth, arrived at the great country palace of Hatfield, trotting into the courtyard on a white palfrey followed by four gentlemen, two ladies-in-waiting, and a female fool.

As soon as she had dismounted, she stooped to kiss the small girl who was waiting to greet her, whose nurse had just reminded her to sketch a wobbly curtsy to the older sister she had not seen for many months. The child was solemn-faced, fair-skinned, and freckled, with long tendrils of burnished red hair escaping from the embroidered white coif that was tied beneath her chin.

"My, you have grown, sweeting!" Mary exclaimed in her gruff voice, stroking Elizabeth's hair and straightening her silver pendant. "You're nearly three now, aren't you?" Elizabeth stared back, unsure of this richly dressed lady with the sad face and skinny body. Mary was not beautiful like Elizabeth's mother: Mary had a snub nose and a downturned mouth, and although her hair was red like Elizabeth's and their father's, it was thin and frizzy. And of course, Mary was very old--all of twenty years, she had been told.

"I have brought you gifts, Sister," Mary said, smiling and beckoning to a lady-in-waiting, who brought over a wooden box. Inside, wrapped in velvet, was a rosary of amber beads and a jeweled crucifix.

"For your chapel," Mary said, pointing to the latter.

"Pretty," said Elizabeth, gently fingering the beads.

"How does my sister, Lady Bryan?" Mary rose to her feet and greeted the governess with a kiss. "And you yourself? It is good to see you again, but I would it were in happier circumstances."

"I too, my Lady Mary. We are well enough, both of us, I thank you," the woman answered.

Elizabeth, watching them, was slightly discomfited by their words and curious at seeing a pained expression fleetingly shadow Mary's plain features.

"I will speak with her presently," her sister said. Lady Bryan nodded.

"I am grateful, Your Grace," she said. "I pray you eat first, for it is nigh to eleven o'clock and dinner is almost ready." Elizabeth was no longer listening; her attention had now focused on her new beads.

"I have brought my fool, to afford a diversion later, if need be," Mary said, and Elizabeth's ears pricked up. She liked fools. They were funny.

While the roast goose and hot salad were being served with appropriate ceremony to Mary in the great hall, Elizabeth was sent to the nursery to have her dinner.

"I hope Your Grace will excuse us," the nurse said to the Lady Mary. "The Lady Elizabeth's Grace is too young as yet to eat with the grown- ups." After being pressed into another curtsy, the child was led away by the hand.

As soon as she had gone, Mary laid down her knife and shook her head sadly.

"I hardly know how I am going to tell her, Margaret," she said miserably, looking to her former governess for support.

Lady Bryan rested a comforting hand on hers.

"I wouldn't be too explicit if I were you, Madam."

"Oh, no," agreed Mary fervently. "Does she often speak of her mother? Do you think she will be much discomforted? After all, she cannot have seen much of her."

"I'm afraid she did. Her Grace--I mean the lady her mother--kept the child with her, more than was seemly for a queen. If you remember, she even refused to have a wet nurse," Lady Bryan recalled with a sniff of disapproval.

Mary looked at her with mounting anxiety. She was dreading the coming confrontation.

"Do you think she will understand?" she asked.

"There is much she understands," Lady Bryan replied. "My...

 

Reviews

AudioFile Magazine...
Rosalyn Landor's brisk narration zooms in on Elizabeth I's life from age 3 to her early twenties, when she comes to rule. Landor demonstrates the many fine details of Weir's research and highlights relationships and characters with well-interpreted voices. We warm with Elizabeth when her father, Henry VIII, praises his "chip off the old block" and then shrink when he roars with displeasure. Landor highlights the tenderness and constancy of Elizabeth's governess, Kat Ashley; the tenacious pursuit of her stepfather, Thomas Seymour; the bitterness and jealousy of her sister, Queen Mary. Together the portraits give listeners an understanding of a precociously wise young woman caught in precarious situations. An author's afterword describes how differently Weir approaches novels and nonfiction writing. S.W. Winner of AudioFile Earphones Award (c) AudioFile 2008, Portland, Maine
 
The Washington Post Book World...
"Engrossing . . . suspenseful . . . enormously entertaining."
 
Boston Sunday Globe...
"Splendid . . . In giving narrative voice to her subjects Alison Weir brings us into emotional contact with them in a way that an unadorned historical account does not."
 
The Atlanta Journal-Constitution...
"Every bit as good as anything [Philippa] Gregory has ever done . . . [Weir] makes a familiar story vibrant and fresh."
 
Booklist (starred review)...
"Completely absorbing . . . a brilliantly vivid and psychologically astute novel."
 
The Seattle Times...
"Poignant and harrowing . . . a gripping finale."
 
USA Today...
"A sensitive and fast-paced tale . . . Weir conveys the age's political intrigues, religious fanaticism and sexism."
 
San Antonio Express-News...
"Characters breathe as though they were alive last week--not five centuries ago. . . . A chilling epitaph on a period of history that continues to fascinate and bewitch us today."
 

Digital Rights Information

OverDrive WMA Audiobook
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Transfer to device: Permitted (6 times)
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Public performance: Not permitted
File-sharing: Not permitted
Peer-to-peer usage: Not permitted
 
All copies of this title, including those transferred to portable devices and other media, must be deleted/destroyed at the end of the lending period.